Piper Tabs

ASTRONOMY DOMINE

Words and Music by Syd Barrett
Performed by Pink Floyd 1967 from "The Piper at the Gates of Dawn"

Note: Domine (pronounced doe-mee-nay) means learned clergyman.
Tabbed (as best as he could) by Edwin Ostrin, improved by J. Martin
Due to all the notes and comments, all lyrics are caps.

Details 1 
Intro : 
E5 
E E E Eb 
E-|-----------------||--0-----------0-0---||
B-|-----------------||--0-----------0-0---||
G-|-----------------||--1-----------1-0---||
D-|-----------------||--2-----------2-1---||
A-|-----------------||--2-----------2-1---||
E-|-0-0-0-0-0-0-etc.||--0-----0-3b0-------||
crescendo 

E5
E E Eb Eb*
E-|--0-----------0-0-|-0----------------------------||
B-|--0-----------0-0-|-0--(0)--0--(0)---------------||
G-|--1-----------1-0-|-0---0---0---0---0---0---0----||
D-|--2-----------2-1-|-1---1---1---1---1---1---1----||
A-|--2-----------2-1-|-1---1---1---1---1---1---1----||
E-|--0-----0-3b0-----|------------------------------||



E 
LIME AND LIMPID GREEN, A SECOND SCENE, THE FIGHT BETWEEN THE BLUE YOU

Eb (6th fret)(or, better yet, the three note Eb in the intro*) 
ONCE KNEW.


G A
FLOATING DOWN THE SOUND RESOUNDS AROUND THE ICY WATERS UNDERGROUND.
E Eb
JUPITER AND SATURN, OBERON, MIRANDA, AND TITANIA.
G G#
NEPTUNE, TITAN, STARS CAN FRIGHTEN...


(play as D shape chord falling from the 9th fret ending up as a std. open D)
A G# G F# F E Eb D
AAAH AAAH AAAH AAAH AAAH AAAH AAAH AAAH

(play following chords as A form barres falling from fret 12)
A G# G F# F E Eb D
AAAH AAAH AAAH AAAH AAAH AAAH AAAH AAAH 

(Details 2 (the aaah... part)) 

A G# G F# F E Eb D
|--9--9----8--8---7--7---6--6---5--5---4--4---3--3---2----------|
|-10---10--9---9--8---8--7---7--6---6--5---5--4---4--3----------|
|--9-------8------7------6------5------4------3------2----------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|


A G# G F# F E Eb D
|-12--12----11--11----10--10----9---9----8---8----7--7---6--6---5--5--|
|-14----14--13----13--12----12--11---11--10---10--9---9--8---8--7---7-|
|-14--------13--------12--------11-------10-------9------8------7-----|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|


D Eb E
|--5--------5--------6-------6--------7----------|
|--7-------7---------8------8---------9----------|
|--7------7---7---7--8-----8---8---8--9----------|
|--7--7---------7----8--8--------8----9----------|
|--5-----------------6----------------7----------|
|------------------------------------------------|


Beginning of Solo:

Details 3

E
E-|-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-|
B-|-------------------------------------------------|
G-|-------------------------------------------------|
D-|-------------------------------------------------|
A-|-------------------------------------------------|
E-|-------------------------------------------------|

Eb 
E-|-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-|
B-|-------------------------------------------------|
G-|-------------------------------------------------|
D-|-------------------------------------------------|
A-|-------------------------------------------------|
E-|-------------------------------------------------|

G A 
E-|-3--3sl--10--10--3--3sl--10--10----|-5-----------------|
B-|-----------------------------------|---5---------------|
G-|-----------------------------------|-----7b8-----------|
D-|-----------------------------------|---------7~~~~~----|
A-|-----------------------------------|-------------------|
E-|-----------------------------------|-------------------|

Follow same progression as verses.
Screw around with whatever pentatonic you happen to be in.
Throw in some typical space-rock, spanish, or modal scale
if you feel up to it. Use gobs of delay, throw in a lot
of tremolo picking, and a few sliding harmonies, take lots
of acid, go insane, play a C chord throughout the whole song,
get booted out of Pink Floyd and POW!
you have yourself a reasonable Syd Barrett imitation. :)
Repeat chord sequence twice and go into second verse.



E
BLINDING SIGNS FLAP

FLICKER, FLICKER, FLICKER, BLAM

Eb Eb
POW! POW!

G G#
STAIRWAY SCARE, DAN DARE, WHO'S THERE?

A G# G F# F E Eb D
AAAH AAAH AAAH AAAH AAAH AAAH AAAH AAAH 

A G# G F# F E Eb D
AAAH AAAH AAAH AAAH AAAH AAAH AAAH AAAH 

D F D F
LIME AND LIMPID GREEN THE SOUND RESOUNDS THE ICY WATERS UNDER...
D Dm D Dm D 
LIME AND LIMPID GREEN THE SOUND RESOUNDS THE ICY WATERS UNDERGROUND.



Second revision
From: jeremyj@freenet2.scri.fsu.edu (Jeremy Joseph)
Subject: Re: REQ: ASTRONOMY DOMINE by Pink Floyd
-- 
\ __ / Had a good alien anal \ __ / crimson@gily.com
- _.//\\._ - probing lately? - _.//\\._ - jeremy@freenet.fsu.edu
-`-__||__-'- Call -Low Budget Land- -`-__||__-'- .. . . . . .
/ ./||\. \ (813) 598-1738 / ./||\. \ FIDOnet @1:3630/190


Third revision
James Martin

- L U C I F E R S A M -
P i n k F l o y d
Words and Music by Syd Barrett



(F#m)
|---------------------------------|
|---------------------------------| 
|---------------------------------| Eat Acid and add lots
|---------------------------------| Of variations to sound like
|------0--4----3------2----0------| James Bond...
|-1--2------2----2-2----2---------|


(B) 
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|------7---6-----5---4------------|
|--6-7---7---7-7---7---7----------|




F#m G
Lucifer Sam, siam cat.
B
Always sitting by your side
E
Always by your side.
C D
That cat's something I can't explain.


Jennifer Gentle you're a witch.
You're the left side
He's the right side.
Oh, no!
That cat's something I can't explain.

Lucifer go to sea.
Be a hip cat, be a ship's cat.
Somewhere, anywhere.
That cat's something I can't explain.

At night prowling sifting sand.
Hiding around on the ground.
He'll be found when you're around.
That cat's something I can't explain.


Trip on this!!!
See ya!


=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
= F i S h - Current Adress: polivier@jrv.qc.ca 
= Comments/Corrections/Other floyd's/I Want Roio's Please Email me!!! =
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Modified by J.Martin

Matilda Mother
--------------

Words and Music by Syd Barrett
Performed by Pink Floyd 1967

organ intro chords
B A/B Gmaj7/D F#(addB) 


VERSE 1

Bsus4 Asus2 G6 F#7sus4-9
There was a king who ruled the land.

Bsus4 Asus2 G6 F#7sus4-9
His Majesty was in command.

Bsus4 Asus2 G6 F#7sus4-9 
With silver eyes the scarlet eagle 

Bsus4 Asus2 G6 F#7sus4-9
Showered silver on the people.

G D A G D E
Ohhhhh, mother, tell me more.


E |-----------------------------------2-2---2-----|
B |-----------------------------------4-4---4-----|
G |-----------------------------------4-4---4-----|
D |-----------------------------------4-4---4-----|
A |------0-2-0-----------0-2-0--------2-2---2-----|
E |--2-4-------4-2-0-2-4-------4-2-0--------------|

Why'd you have to leave me there?

Hanging in my infant air, waiting.


E |--------------------------------------0-0------3----|
B |--------------------------------------0-0------0----|
G |--------------------------------------1-1------0----|
D |--------------------------------------2-2------0----|
A |---------0-2-0-----------0-2-0--------2-2-----------|
E |---0-2-4-------4-2-0-2-4-------4-2-0--0-0--0-2-3----|

You only have to read the lines of scribbly black and

ev'rything shines.


VERSE 2

Bsus4 Asus2 G6 F#7sus4-9
Across the stream with wooden shoes,

Bsus4 Asus2 G6 F#7sus4-9
Bells to tell the king the news,

Bsus4 Asus2 G6 F#7sus4-9 
A thousand misty riders climb 

Bsus4 Asus2 G6 F#7sus4-9
Up higher once upon a time.

G D A
Wondering and dreaming.

G D E
The words had different meanings.

A G E F#
Yes, they did.



VERSE 3

Bsus4 Asus2 G6 F#7sus4-9
For all the time spent in that room,

Bsus4 Asus2 G6 F#7sus4-9
The doll's house darkness, old perfume,

Bsus4 Asus2 G6 F#7sus4-9 
And fairy stories held me high 

Bsus4 Asus2 G6 F#7sus4-9
On clouds of sunlight floating by.

G D A G D E
Ohhhh, mother, tell me more.

A G E
Tell me more.



1 and 2 Verse guitar line 

E |----0--------0--------0--------0--------------|
B |------0--------0--------0--------0------------|
G |--4-----4--2-----2--0-----0--------0----------|
D |-----------------------------4----------------|
A |----------------------------------------------|
E |----------------------------------------------|


On top of the verse line above, you can add
these verse chords. 

Bsus4 Asus2 G6 F#7sus4-9
E |----0--------0-------0-------0-----|
B |----0--------0-------0-------0-----|
G |----4--------2-------0-------0-----|
D |----4--------2-------0-------4-----|
A |----2--------0---------------4-----|
E |---------------------3-------2-----|



3rd verse which can be played 
with somewhat aggressively strummed 
std. B, A, G. F# barre chords starting at 
the 7th fret). 

Flaming

pink floyd
addition by: 

E D
Alone in the clouds all blue
Bm A Asus4 A Asus2 A
Lying on an eiderdown.
E A 
Yippee! You can't see me
D F E
But I can you.


Lazing in the foggy dew
Sitting on a unicorn.
No fair, you can't hear me
But I can you.

Watching buttercups cup the light
Sleeping on a dandelion.
Too much, I won't touch you
But then I might.

Screaming through the starlit sky
Travelling by telephone.
Hey ho, here we go
Ever so high.


E D 
alone in the clouds all blue
Bm A 
lying on an eiderdown
E A 
yippee you can't see me
D F A G F A let ring.
but i can youuuuuuuuuuuuuuuuuuuuuuuuuuuuu.

Pow R Toc H (donated generously by Anders (Madcap Cat@aol.com))

widdly bit:
E---------------------------------------------
B------8-----6----5----3----3----3-------
G--0------0----0----0----0----0----0----
D---------------------------------------------
A---------------------------------------------
E---------------------------------------------

INTERSTELLAR OVERDRIVE

Music by Barrett, Mason, Waters, Wright
Performed by Pink Floyd 1967

x = strike muted string 



E-------------------------------------------|
B-------------------------------------------|
G-------------------------------------------|
D-------------------------------------------|
A-------------------------------------------|
E--12-sl-0-0-0-0-0-0-0-0-0-0-0-0-0-0-etc.---|


E---------------------------------------------|
B---------------------------------------------|
G---------------------------------------------|
D---------------------------------------------|
A---------------------------------------------|
E--0-sl-7-7-6-7-6-4-5-5-4-5-4-2-3-3-3-3-3-3-3-|

E
E------0--------------0-----|
B------0---------------0----|
G--3-3-1--------------------|
D--4-4-2--------------------|
A--4-4-2--------------------|
E--2-2-0--------------------|


E---------------------------------------------|
B---------------------------------------------|
G-----------------------------------------4-4-|
D-----------------------------------------5-5-|
A-----------------------------------------5-5-|
E-------7-7-6-7-6-4-5-5-4-5-4-2-3-3-3-3-3-3-3-|


E
E------0----------0---0-----|
B------0-----------0---0----|
G--3-3-1--------------------|
D--4-4-2--------------------|
A--4-4-2--------------------|
E--2-2-0--------------------| 



B B A# B A# A A G# A G#
E---7--7-x-x-6-7-6-x-x--5--5-x-x-4-5-4-x-x--|
B---7--7-x-x-6-7-6-x-x--5--5-x-x-4-5-4-x-x--|
G---8--8-x-x-7-8-7-x-x--6--6-x-x-5-6-5-x-x--|
D---9--9-x-x-8-9-8-x-x--7--7-x-x-6-7-6-x-x--|
A---9--9-x-x-8-9-8-x-x--7--7-x-x-6-7-6-x-x--|
E---7--7-x-x-6-7-6-x-x--5--5-x-x-4-5-4-x-x--|


G E
E--3---------------15-15-15----------0----------------|
B--3----sl--(12)---15-15-15----x-x---0------x-x---x---|
G--4----sl--(12)---------------x-x---1------x-x---x---|
D--5---------------------------x-x---2------x-x---x---|
A--5---------------------------------2----------------|
E--3---------------------------------0-0-0-0-0-0-etc.-|
(lots of muted string scraps and strikes)


B B A# B A# A A G# A G#
E---7--7-x-x-6-7-6-x-x--5--5-x-x-4-5-4-x-x--|
B---7--7-x-x-6-7-6-x-x--5--5-x-x-4-5-4-x-x--|
G---8--8-x-x-7-8-7-x-x--6--6-x-x-5-6-5-x-x--|
D---9--9-x-x-8-9-8-x-x--7--7-x-x-6-7-6-x-x--|
A---9--9-x-x-8-9-8-x-x--7--7-x-x-6-7-6-x-x--|
E---7--7-x-x-6-7-6-x-x--5--5-x-x-4-5-4-x-x--|


G E 
E--3----------------0-------------------|
B--3----------------0-------------------|
G--4----------------1-------------------|
D--5----------------2-------------------|
A--5----------------2-------------------|
E--3-3-3-3-3-3--2-2-0---0-0-0-0-0-etc.--|



...continue into uncharted territory...

I love this little song from Pink Floyd !
Please correct me, if anything is wrong.

The Gnome
(From "The Piper Before The Gates Of Dawn")

D A D
I want to tell you a story
C A C A
About a little man, if I can.
D A D
A gnome named Grimble Grumble.
C A C A 
And little gnomes stay in their homes.
G D Bb7 C F A7 A7 D 
Eating, sleeping, drinking their wine.

He wore a scarlet tunic,
A blue green hood,
It looked quite good.
He had a big adventure
Amidst the grass
Fresh air at last.
Wining, dining, biding his time.

G C F
And then one day - hooray!
A E G D
Another way for gnomes to say
G D 
Hoooooooooray.

Look at the sky, look at the river
Isn't it good?
Look at the sky, look at the river
Isn't it good?
Winding, finding places to go.

And then one day - hooray!
Another way for gnomes to say
Hoooooooooray.
Hooooooooooooooray.


E.T.

====================== + e-mail: eisenboc@informatik.tu-muenchen.de 
BE JUST AND FEAR NOT + http://www.informatik.tu-muenchen.de/~eisenboc/ 
====================== + irc: Joseph on #Joseph's 

Scarecrow
---------

D A C A G
The black and green scarecrow, as ev'ryone knows,

A D A
Stood with a bird on his hat and straw ev'rywhere.

D
He didn't care.

G Am G A
He stood in a field where barley grows.


D A C A G
His head did no thinking, his arms didn't move,

A D A D
Except when the wind cut up rough and mice ran around on the ground.

G Am G A
He stood in a field where barley grows.


D A C A G
The black and green scarecrow is sadder than meee.

A D A
But now he's resigned to his fate's, 'cause life's not unkind.

D
He doesn't mind.

G Am G A
He stood in a field where barley grows.

Transcription by: ?

BIKE
Pink Floyd 
(Barrett)

G C7
I've got a bike. You can ride it if you like.
G
It's got a basket, a bell that rings and things to make it look good.
D G
I'd give it to you if I could, but I borrowed it.
D
You're the kind of girl that fits in with my world.

I'll give you anything, everything if want things.

G C7
I've got a cloak. It's a bit of a joke.
G
There's a tear up the front. It's red and black. I've had it for months.
D G
If you think it could look good, then I guess it should.
D
You're the kind of girl that fits in with my world.

I'll give you anything, everything if you want things.

G C7
I know a mouse, and he hasn't got a house.
G
I don't know why. I call him Gerald.
D G
He's getting rather old, but he's a good mouse.
D
You're the kind of girl that fits in with my world.

I'll give you anything, everything if you want things.

G C7
I've got a clan of gingerbread men.
G
Here a man, there a man, lots of gingerbread men.
D G
Take a couple if you wish. They're on the dish.
D
You're the kind of girl that fits in with my world.

I'll give you anything, everything if you want things.

G C7
I know a room of musical tunes.
G
Some rhyme, some ching. Most of them are clockwork.
D G
Let's go into the other room and make them work.